: Henry often omits the root note from his hand voicings, especially when a bass player is present. He utilizes guide tones (3rds and 7ths) in the left hand and color tones (extensions like 9, #11, 13) in the right hand to create a sophisticated sound.

: Shift specific notes within a melody by an octave to add variation without losing the theme.

: Harmonic choices should vary based on location and atmosphere. For example, in a "high worship" setting, Henry suggests staying closer to the original composition to maintain unity, whereas solo performances allow for more experimental stretching.

For those looking to dive deeper into these specific techniques, the Cory Henry Workshop on YousicPlay provides a structured lesson plan covering these harmonic functions and soloing frameworks. Master class with Cory Henry on Harmony

: Instead of just running scales, Henry uses rhythmic motifs and themes to build a structured "narrative" within his solos. Practical Exercises

: A "secret" to his modern sound is using the whole-step half-step diminished scale to derive dominant chords that move in minor 3rds. He often employs a "slash chord" style harmonic approach to stretch these dominant functions.

: Before introducing personal harmonic variations, always state the original melody clearly so the audience can recognize the song's foundation.

: Practice playing through a basic progression (e.g., in E-flat) while aiming to enhance every scale degree with at least two different chord options.