Masaaki Hatsumi’s (1981) remains a foundational text for anyone looking to separate historical fact from the cinematic myth of the ninja. As the 34th-generation leader of the Togakure-ryū tradition, Hatsumi provides a unique perspective that treats Ninjutsu not just as a combat system, but as a comprehensive philosophy for survival and spiritual development. A Bridge Between Two Eras
Hatsumi traces the lineage of the shinobi from the 12th-century Nanboku-chō period through their peak during the Sengoku Jidai (Warring States period).
Beyond basic postures, the book introduces specialized weaponry like feudal firearms, throwing blades ( shuriken ), and chain-and-sickle tools ( kusarigama ), accompanied by vintage photography often shot in rural Japanese settings. Community & Expert Perspectives Ninjutsu, history and tradition
“It's not a how to guide for Ninpo. It is however a good basic overview of Ninjutsu's history and some traditions with alot of cool photo's of some of the author's personal weapon and tool collection.” Amazon.sg Final Verdict
The book is often viewed as a "part two" to Andrew Adams’ early work, offering deeper technical and philosophical insights. It covers a transitional period in Ninjutsu’s public perception, blending the esoteric practices taught in the 1960s and 70s—such as Kuji (spiritual hand signs) and concealment—with the more dojo-focused physical training that became prevalent by its publication in 1981. Masaaki Hatsumi’s (1981) remains a foundational text for
“I was told Hatsumi Masaaki's Ninjutsu: History & a tradition was the one to get. The books gives the new student a great overview of the art, starting with history & philosophy, then going through postures body strikes & weaponry, with a sprinkling of...” Facebook · Bujinkan Forum · 1 year ago
The text emphasizes Jihi no Kokoro , or the "benevolent heart," arguing that true Ninjutsu is about finding harmony and protecting the spiritual and natural worlds rather than mere assassination. It covers a transitional period in Ninjutsu’s public
While highly regarded, modern readers often note the book's specific place in history. It was likely ghostwritten or heavily edited by Stephen K. Hayes, which gives it a more descriptive, prose-heavy style than Hatsumi's later works.