The title translates to "Pan — still without subtitles" and is part of the artist's broader body of work that explores themes of decolonization, healing, and the "transmutation" of bodies. Key Aspects of the Piece:

: The work typically involves a fusion of video, photography, and live performance. The "Pan" in the title references the idea of a "Pan-African" perspective or a universal movement, while "still without subtitles" suggests a narrative or experience that is still being translated, defined, or remains intentionally untranslatable within Western frameworks.

: Her pieces often feature earthy elements, ritualistic movements, and a deep focus on the relationship between the body and the territory it occupies.

: Castiel Vitorino Brasileiro is a visual artist, writer, and psychologist whose work often deals with the Macumba aesthetic and the liberation of black and trans bodies.