: This piece compares Barley’s work to the landscape philosophies of John Ruskin, explaining how the film distills nature into a "visual and aural language of the apocalypse".
Scott Barley's 2017 experimental film has inspired several deep-dive blog posts and essays that focus on its "terrible sublime" nature and its production on an iPhone 6. Recommended Blog Posts & Essays Sleep Has Her House
Interview: Scott Barley on Sleep Has Her House - floating world : This piece compares Barley’s work to the
: Barley describes his intention as making the viewer feel "rendered small, meaningless and afraid" in the face of nature’s awe. Sleep Has Her House