Clara’s grandmother always smelled of rosewater and a sharp, clean astringency that seemed to defy the humid swamp air of their town. On her deathbed, the old woman hadn’t asked for a priest; she had gripped Clara’s wrist and hissed, “Don’t let the skin forget the wood, Clara. Find the Hamamelis. Not the watered-down vanity bottles—the pure spirit.”

The man reached under the counter and pulled out a heavy, unlabelled bottle. The liquid inside wasn't crystal clear; it had a faint, golden tea-tint. He unscrewed the cap, and the scent hit Clara like a physical memory: earthy, woody, and slightly medicinal. It was the smell of a forest floor after a frost.

"I need the pure stuff," Clara told a clerk with neon eyeliner. "The kind that smells like wet bark and old magic."

For weeks after the funeral, Clara searched. The local CVS offered blue plastic bottles where "Witch Hazel" was a footnote to 14% alcohol and synthetic fragrances. It stung her nose but lacked the soul her grandmother’s vanity possessed. She tried the high-end boutiques downtown, where glass jars cost sixty dollars and were filled with "botanical blends" of cucumber and aloe.

"Double-distilled from the bark and twigs," the man whispered. "Steam only. It doesn't last as long as the store-bought poison, so keep it cool. But it’ll heal what’s actually broken."

The clerk blinked. "Try the apothecary in the District. If it’s not in a cardboard box, they don't sell it."

The "District" was a collection of narrow alleys that smelled of roasted coffee and damp stone. There, tucked between a cobbler and a closed-down clock shop, was The Copper Still . Inside, there were no neon lights, only the low hum of a dehumidifier and shelves of amber glass.

A man with hands stained the color of walnut wood looked up. "Looking for a cure or a ritual?"